What Goes Into Making a Painting?
What Goes Into Making a Painting?

What Goes Into Making a Painting?

You may have heard of paint, canvas, and paper before. But have you ever wondered what goes into making a painting? What goes into making it look good? Here are some basic steps to start painting. First, prepare your surface. The support, whether it’s canvas, wood panel, paper, or walls, must be primed to accept paint. Primer, usually white, fills the pores in the support. Next, prepare your ground. This mixture of pigment and wax and resin is applied to the surface.


The aesthetic background of brushwork in painting includes form, line, space consciousness, and composition. Detailed discussion of these criteria can be found in the Appendix of the manuscript. Some of the terms discussed here have their Chinese equivalents. Listed below are the major terms. Listed in order of importance:

Academic painters began painting during the Northern Song. They believed that brushwork reflected moral character. Scholars preferred less refined painting styles, as they were more facile to master. They also believed that depicting appearances was beneath their skills, and chose subjects that would show off their talent for texture. Scholar paintings were less flashy and understated, with figures done with thin pecked lines. They mastered both the technical skills of brushwork and composition.


The condition of a painting can influence its value. Paintings that are damaged and have no provenance do not have much value. You can also look up the previous owners of a painting to determine its provenance. If a painting is a work of art, you should ask the seller about its condition and previous price range. A damaged painting may be worth a lot less than its average market value. In such cases, you should seek help from a professional art dealer.

In an artist’s work, the value of a painting is the amount of light and dark an object or area is. Its gradations create the illusion of depth and gives the subject a three-dimensional appearance. The value scale was introduced by Denman Ross in 1907, setting a standard for visual artists to follow. It helps artists identify areas of light, mid-tones, and darks. By understanding the color theory behind values, you will be able to create paintings with good depth and illusion.

Choosing a subject

Choosing a subject for a painting is one of the most difficult parts of the creative process. Though technique is the calling card of an artist, the subject of a painting is the soul. This gray matter is what makes every artist unique, tapping into the full blueprint of experience and emotional wiring. Listed below are some of the ways to find your subject. To make the decision easier, check out some examples of the works of artists you admire.

Often, when choosing a subject for a painting, artists make the mistake of searching for something obvious. While something may be stunning in real life, it may not translate well as a painting. A sunset cloudscape, a vast mountain range, or a field of flowers may not work as a subject for a painting. These are easy to photograph, but hard to replicate in a painting.

Choosing a subject for a painting requires the artist to think carefully about what she or he wants to convey.

Choosing a medium

There are several different types of mediums for painting. Acrylic, watercolor, oils, gouache, ink, and mixed media are the most common and versatile. Most artists use at least one of these types of paints or a combination of these mediums. Choosing the right one for your style can make all the difference in the final product. Listed below are some considerations when choosing a medium for your painting.

Consider your time and space. What are you most comfortable with and what are your limitations? Do you have a studio space? If so, is there a good internet connection? If so, make sure your workspace is quiet and has a good internet connection. In addition, a hard floor is best. If you’re painting on a carpet, it’s best to lay down a tarp. If you’re painting in a shared space, keep in mind the needs of the other members of your household, as an angry roommate will ruin your experience.

Choosing a substrate

When you start painting, you need to choose the right substrate for your style. There are many different types of substrates, including canvas, paper, and wood paneling. Each artist has their own preference for the type of surface that will work best for their painting style. Here are a few tips for choosing the right painting substrate. The next time you are in the studio, decide what type of painting you will do on the surface.

The most common substrate for painting is canvas, which comes in both primed and unprimed varieties. It is made from cotton and synthetic fibers, and it can be purchased raw, primed, or ready-to-go. It is also the most expensive and Diamond painting surface for your paintings, though there are a few caveats. Unlike canvas, many oil-based paints cannot be applied to linen because of its smooth surface. This material should be primed first, so that it won’t absorb water.

Painting techniques

Painting is the process of splashing colours on any surface. The process of painting can be done on a computer, paper, clay, sand, or any other material. It is a highly creative process, allowing artists to express their ideas and emotions through paints. The most popular styles of painting are those combining modernism, surrealism, and abstract techniques. Listed below are some of the techniques you can use in your next masterpiece.

The most important thing to remember about the art of painting is that it’s an art form, and artists are trained in different approaches. Different approaches require varying amounts of trial and error. Older methods broke the painting process into smaller, more manageable steps, which meant more opportunities for getting things right the first time. They also required less preparation and research. In addition, modern approaches have simplified the painting process to a few basic steps. Listed below are some of the most common painting techniques.